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Film Analysis: Band Frontman Jason Williamson Takes On Character in Sceptical Look at 90s Rave Culture

The work of Bristol sound co-founder Geoff Barrow, this scabrous if undernourished first film casts a critical gaze on the ecstasy-fueled club scene. Self-serving drug user David (Marc Bessant) initially steals from an unconscious dealer, then in a later recollection tries to burgle his own family home. In no time, he's overturned in the wreckage of his car in a woodland – and subject to the wrathful eye of the Woodsman (vocalist Jason Williamson). Declining to free David, with impatience toward city dwellers, he is broken Britain embodied: “You’re one of those noisy cunts from up on the heath.”

Unsteady Opening and Grimly Amusing Duel

The film begins uncertainly, spending too long on pedantically chronicling David’s attempt to extricate himself from his seatbelt, while clumsily segueing into flashbacks of his normal activities. The bigger point – that the rave-era youth were mainly focused on themselves – is clearly conveyed. But these brief episodes are insufficiently developed to properly prime us for what to expect when the Woodsman arrives, enraged after David kills his dog. Nevertheless, a grimly amusing duel unfolds – David eager to get away; the Woodsman denying his container of cider, intent on dousing him instead in embittered discourse. Williamson, projecting ponderous menace in the role, is evocative of Michael Smiley.

Stylish Imagery and Promo-Inspired Sensibility

There is only one important plot development, but it leads to a hilariously staged rampage on the woodland paths that dips close to folk horror. Filmmaker John Minton finally gets to go all in with his showy imagery: where he was focused intently doing artful shots of insects in the light in the opening part, he now goes all out with the full lysergic grand display, accompanied by a wild organ version of Ravel’s Boléro. The movie resembles an elongated music video than a complete narrative, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into making the leap from the Brit music promo scene.

Game is in UK and Irish theaters from November 17.

Written by

Victoria Brown

A UK-based cultural critic and lifestyle writer with over a decade of experience covering modern trends and design innovations.

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